Sunday, February 7, 2021

Presenting ... Air Flows Like Water (waag_rel146) by William Spivey

I am a huge fan of William Spivey's music and when he came to me with this release I was like "YES!!! Now what was it that you wanted to ask?"

I was eager to hear where his music had evolved from our latest outing, "Glimpse (waag_rel051)", back in May, 2014; and I wasn't disappointed: "Air Flows Like Water (waag_rel146)" is a wonderfully meditative album that flows gently along with found sounds and bird song, ambient drones and vibrant synths, verbal prompts, bells and chimes, and throat-singing all in the mix.

What began as field recordings has morphed into the most wonderful set of soundscapes that are perfect for the time we are in ... intentionally unhurried, these pieces resonate with something deep inside and provide calming respite from the anxiety of now.

I have benefitted from this album and I thank William for sending it on. I also extend my thanks to William's son, Paki, for the artwork he made for the album.

A 320kbps version of this release will be available, for free, over on Archive with a lossless version available here on Bandcamp for ‘pay what you want’.

- Thomas

Sunday, January 3, 2021

Presenting ... Stratus Caster (waag_rel145) by Thomas Jackson Park


I'll admit to being new to Generative Music, it is not something I was aware was "a thing" until Thomas Jackson Park pitched the idea to me for his track on last year's compilation, all|is|bright_2020 ... I was intrigued and did a bit of digging. According to Wikipedia, Generative Music is a term popularised by Brian Eno to describe music that is ever-different and changing, and that is created by a system. I was further intrigued and, through our correspondence, Jackson Park let me hear an album of his generative compositions ... I was more than a little impressed with what is now called "Stratus Caster".

During this correspondence, Jackson Park patiently tried to explain his process to me: he uses Python code in a Generative/Iterative context with keywords employed to help him assemble a number of different possible sounds for unique ensemble roles. The code creates a large amount of possibilities that Jackson Park then brings together to create "Stratus Caster".

I find the whole thing fascinating and welcome this new idea to weareallghosts as I welcome back Jackson Park.

I hope you will find something engaging about what has been curated for your listening pleasure.

A 320kbps version of this release is available, for free, over on Archive with a lossless version available on Bandcamp for ‘pay what you want’. 

- Thomas

Sunday, December 13, 2020

Presenting ... all​|​is​|​bright_2020 (waag_COM005)

When I spoke out loud about my love for the all|is|calm series that Brad used to curate over on his netlabel, FreeFloating, and wondered if we could revive it ... needless-to-say I didn't expect the response I've received: 17 wonderfully diverse tracks that really work together and, for the most part, bring something meditative for this time of the year.

Yes, some of the artists didn't take the direction I gave them of "not too out there" ... but do I care? Not one bit. The music on this, the fifth weareallghosts compilation, is simply delightful and I am rather overwhelmed, if truth be told.

From the fantastic opener from Tim Kays that references rocket launches to the minimal piece from Kevin Buckland, we have a very varied selection of predominately ambient music. The overall theme is downbeat and melodic with some excellent pieces from Allen Pitts, Cousin Silas, George L Smyth, and Pat Pik.

We also have some more atmospheric and abstract pieces from Pendro, Jaime Munárriz, Puppy Bordiga, and Autonomaton that bring something special and really up the interesting level.

Thomas Jackson Park makes a welcome return to waag with one of his generative pieces that acts as an intriguing prelude to his upcoming release on waag in the new year.

There are more sequenced, electronic pieces from Brian Talgo, James Lowe, Ramón Sánchez, and EISENLAGER in the mix too ... all bringing a sense of the upbeat and the euphoric to the compilation.

Lastly, we have a late addition from Jon Johnson that is crazy brilliant in the way all the best Christmas songs are.

All of this combines to make nearly 2 hours of truly exceptional electronic music ... and I thank all the artists for their work!

I also extend my thanks to Cousin Silas for his help with sound levels and sequencing of the compilation.

I would like to give something back with this compilation ... so all monies received will be donated to charity. As such, this compilation will not be available on Archive.

- Thomas

Friday, December 4, 2020

Presenting ... The Changing Of The Seasons (waag_rel144) by George L Smyth

Each season has its own personality, some with aspects both loved and abhorred. However, these seasons do not start and end at specified times, but fold into one another, at times with fits and starts. We start awaiting a season to begin, then experience the season, and finally we feel it slip away.

The Changing of the Seasons is a set of four pieces, each representing a season, and each piece having three parts - awaiting the season, the season, and following the season. Each of the twelve segments offers its own theme, its own representation of the time of year, as it relentlessly moves through our lives.

While each of the four pieces can be played in any sequence, or alone, the recommendation is to start with Spring and end with Winter, like a year waking up and moving through to the point where it again falls asleep, restarting the cycle.

- George

On what is a miserable winter's day, I am proud to release the latest album from George L Smyth, entitled "The Changing Of The Seasons (waag_rel144)".

This is an album that could so easily be the soundtrack to a film ... it features engaging orchestration and scoring, and an effervescent expression that really helps to convey the nuances of the four seasons.

I find this album to be utterly captivating and have had it on repeat as well as interspersed with other modern classical work. I personally think it sits nicely with the work of Max Richter and Leonard Roseman; and makes me dream of the sounds Smyth could make with access to a full orchestra.

This is not Smyth's first release with weareallghosts, his album "Winterfylleth" remains a fave for this time of year and "The Changing Of The Seasons" is definitely cut from the same cloth: warm, accessible modern classical music with a minimalist edge and a romantic tinge.

I really hope you enjoy this album as much as I have and will, no doubt, continue to do over the years.

As before, my thanks goes to the wonderful waag community for their generous support.

- Thomas

Sunday, November 29, 2020

Presenting ... Dusty Fallout (waag_rel143) by Eraser Ears


When Jaime Munárriz came to me and offered up another live recording from his Eraser Ears [Orejas Borradoras] collective, I jumped at the chance.

I love the soundscapes that they produce because they remind me of Tangerine Dream's seminal mid-70s period: albums like "Rubycon" and "Phaedra" were instrumental in my love and understanding of the broad church called "ambient music" ... and Eraser Ears do remind me of these spontaneous adventures in sound.

"Dusty Fallout" as this most recent session has been called is split over two 35+ minute pieces. It would have been one whole piece but Bandcamp's file-size limitation necessitated a break in proceedings.

These soundscapes are to be savoured and enjoyed ... preferably on headphones. Let them take you on a journey ... let them take you, as they have me, to another place.

I hope you enjoy these soundscapes as much as I have.

A 320kbps version of this release will be available, for free, over on Archive with a lossless version available on Bandcamp for ‘pay what you want’.

- Thomas


Album Credits

Eraser Ears [Orejas Borradoras]

Tino Varela: Elektron Digitakt, Orbitador, processed micro-percussion.
Richi F. Martin: DIY Modular & piezos, Crave, Volca FM.
David Llorente: VCV Rack.
Jaime Munárriz: Microbrute, pedal effects.

Eraser Ears is a project of LiSD/Codelab, the image and sound experimental laboratory directed by Jaime Munárriz, based at the Fine Arts faculty, Universidad Complutense de Madrid.



Saturday, October 31, 2020

Presenting ... Cousin Silas & Friends volume 8 part 4 (waag_rel142)

At summer's end, as the nights draw in, we need as much light and hope as possible. As the UK endures a second wave of the Covid-19 pandemic and restrictions are being reintroduced, we need something to keep us going ... something to remind us that the sun is still shining above the clouds.

And it is in this environment, that Cousin Silas brings the fourth part of his " ... and friends, volume eight", a wonderful mix of the familiar ("Portland (Rework)" by Cousin Silas & Wilfried Hanrath); delightfully gentle ambience ("A New Day In A New City" by Cousin Silas & Ron Shaylor or "Westford Morning" by Cousin Silas & Adam Steinberg); Berlin School style synths ("Majestic Antares" by Cousin Silas & OneAmbient4); and the vibrant and quirky ("Across The Wastelands" by Cousin Silas & Kevin Lyons or "An Apocalypse Is An Opportunity (To Move To A Higher Level)" by Cousin Silas & Reader Advisor);

This volume just gets better and better.

As with the third part, there is just so much beauty on this album and I, for one, think our world needs this right now.

- Thomas

PS ... Volume 8 in all its parts will be "pay what you want" ... I would rather you download this album for free and pay it forward by using the money you may have spent to donate to a charity doing something positive in these strange days. I also want this album to be accessible to folks who may have financial concerns as a result of the pandemic ... please take the album for free and may it be a help and blessing to you in these uncertain times.


Thursday, October 8, 2020

Presenting ... Dronescape 045 (waag_drs045) by Cousin Silas


Earlier in the year, August to be exact, I had the privilege of spending a few days in Fife, Scotland; As we drove to our digs in a farmhouse near Glenrothes, we decided to stop off in the beautiful village of Culross for a picnic lunch. 

The rain that day did not stop but that didn't deter us from exploring the village. We wandered around the cobbled streets and spent some time in the Palace's Gardens, which were kindly opened by the National Trust for Scotland, the custodians of said Palace. 

Afterwards, rather than heading back (we had visited the Palace before) we explored further and ended up in these wonderfully eerie and deathly quiet back lanes: lanes with cobbles that we treacherously slick with rain and green with various forms of intentional and unintentional flora ... lanes where no car could go ... lanes where you felt in another time and place, out of step and just passing through;

It is a wonderful memory that came to me almost immediately when I played the latest Dronescape from Cousin Silas ... a piece that reminds of the peace and quiet of these lanes, so much so that it informed the artwork for the release.

Dronescape 045 is a wonderfully gentle piece: vivid and yet relaxing; it is the perfect soundscape for these anxious times that we are living in ... music to relax with ... music to be enjoyed with headphones and minimal distractions ... the perfect accompaniment for "me time" whether your 71 minutes involves of a sound-bath or a bubble-bath ... or wandering with your camera in the back lanes of a historic village.

Take time out to listen to Cousin Silas' latest Dronescape, I doubt you will regret it. I certainly haven't.

Please Note:

weareallghosts is funded through the money we receive for albums and dronescapes such as this. For us to realistically continue to put out this level of quality in the quantity that we do, we need to levy a small charge for some of our releases. Please help out by buying the dronescape. 

That said, if you aren’t able to then please note a 320kbps version of this release will be available in the next couple of days over on Archive ( for free. 

- Thomas