Showing posts with label eraser ears. Show all posts
Showing posts with label eraser ears. Show all posts

Sunday, November 29, 2020

Presenting ... Dusty Fallout (waag_rel143) by Eraser Ears

 



When Jaime Munárriz came to me and offered up another live recording from his Eraser Ears [Orejas Borradoras] collective, I jumped at the chance.

I love the soundscapes that they produce because they remind me of Tangerine Dream's seminal mid-70s period: albums like "Rubycon" and "Phaedra" were instrumental in my love and understanding of the broad church called "ambient music" ... and Eraser Ears do remind me of these spontaneous adventures in sound.

"Dusty Fallout" as this most recent session has been called is split over two 35+ minute pieces. It would have been one whole piece but Bandcamp's file-size limitation necessitated a break in proceedings.

These soundscapes are to be savoured and enjoyed ... preferably on headphones. Let them take you on a journey ... let them take you, as they have me, to another place.

I hope you enjoy these soundscapes as much as I have.

A 320kbps version of this release will be available, for free, over on Archive with a lossless version available on Bandcamp for ‘pay what you want’.

- Thomas

-----

Album Credits

Eraser Ears [Orejas Borradoras]

Tino Varela: Elektron Digitakt, Orbitador, processed micro-percussion.
Richi F. Martin: DIY Modular & piezos, Crave, Volca FM.
David Llorente: VCV Rack.
Jaime Munárriz: Microbrute, pedal effects.

Eraser Ears is a project of LiSD/Codelab, the image and sound experimental laboratory directed by Jaime Munárriz, based at the Fine Arts faculty, Universidad Complutense de Madrid.

-----

Archive


Sunday, January 6, 2019

Presenting ... Vista 2 (waag_rel125) by Eraser Ears



Eraser Ears are on a roll and I am proud to present their latest album, "Vista 2 (waag_rel125)".

"Vista 2" was recorded live at the Hybrid Festival, 21st September 2018; and features their wonderfully improvised, sonically powerful soundscapes that, in some way, remind me of
Tangerine Dream and REDSHIFT.

As I wished before, for their first outing on WAAG, I wish again: to have been there ... at Vista ... soaking up the sounds as they were presented in real time. Who knows, it may happen? But in the meantime, please enjoy parts "Uno" and "Dos".

As before, my thanks goes to the wonderful waag community ... for their generous support.

A 320kbps version of this release is available, for free, over on Archive with a lossless version available on Bandcamp for ‘pay what you want’.

---

Recorded live at the Hybrid Festival, 21st September 2018

Eraser Ears / Orejas Borradoras

Tino Varela: Orbitador, processed micro-percussion.
Richi F. Martin: Maschine, Volca FM.
David Llorente: VCV Rack.
Miguel Oliveros: PureData, Moog DFAM, KaossPad.
Jaime Munárriz: NihilÌfono, Open Tape Scratch, Microbrute, effects.

Eraser Ears is a project of LiSD/Codelab, the image and sound experimental laboratory directed by Jaime Munárriz, based at the Fine Arts faculty, Universidad Complutense de Madrid.

Artwork by Jaime Munárriz

Logistics by Thomas Mathie for weareallghosts.co.uk

---

https://archive.org/details/waag_rel125

---



---



Saturday, September 8, 2018

Presenting ... "Live at Vista (waag_rel118)" by Eraser Ears

I am a huge fan of the mid-seventies Tangerine Dream albums such as Phaedra and Rubycon. I love their sprawling nature and the twists and turns that these recordings take.

I am also a big fan of the music of REDSHIFT. Albums like Ether and Halo have left an indelible mark on me. Again, I just adore their sprawling, apparently improvised soundscapes.

It is in this context that I came to "Live at Vista" by Eraser Ears, a project involving Jaime Munárriz, a chap I've known for a wee while now. I almost immediately fell for the improvised nature of this recording and wished, as I continue to do for Tangerine Dream and REDSHIFT, to have been there ... in the crowd ... soaking up the sounds as they were presented in real time.

There is something truly magical about the music presented here ... I could imagine myself standing beside David Toop in some redefined space in Berlin listening as it was presented, simply honoured to be there for the performance.

Alas I couldn't be at Vista and I don't know if Toop was in the crowd or not (imagine if he was?!?!) but what I do know is that I have the next best thing ... a slightly edited / mastered version of the soundscapes presented that day that does stand in comparison with some true heavyweights of the ambient genre.

I am proud to bring this to the waag community and, hopefully, further afield.

As before, my thanks goes to Cousin Silas, Kevin Lyons & Tim Jones, and to Warren Daly … Adrian Nicholls ... Drew Miller ... and the wonderful waag community ... for their generous support.
A 320kbps version of this release will be available, for free, over on Archive with a lossless version available on Bandcamp for ‘pay what you want’.

Enjoy.

Thomas

---

Music performed by David Llorente, Richi F. Martin, Tino Varela, Miguel Oliveros, and Jaime Munárriz aka Eraser Ears.

Eraser Ears is a project of LiSD/Codelab, the image and sound experimental laboratory directed by Jaime Munárriz, based at the Fine Arts faculty, Universidad Complutense de Madrid.

The album was recorded live at Vista for the art festival ArtBanchel 18 in Madrid, Spain.

The recording was edited to remove / correct minor errors and then mastered.

The performance, conceived as a permanent static art piece for Vista, a workspace for visual artists; involved different hacked electro-mechanical artefacts with piezos, analog synthesisers and effects, digital instruments and processed subtle percussion instruments (foam, pipes, and the infamous Orbitator). It went on for three hours, non-stop ... the audience could get in, move around, come back.

Artwork by Jaime Munárriz.

---

https://archive.org/details/waag_rel118

---



---